In a quiet industrial pocket of Mumbai, a new kind of factory is taking shape. Rows of humming machines sleek 3D printers instead of heavy machinery work around the clock, printing parts, prototypes, and sometimes even ideas. This is BRAHMA, WOL3D’s ambitious new 3D printing farm, and it’s unlike anything India has seen before.
Spread across a sprawling facility, BRAHMA houses over 200 3D printers that operate 24×7, producing everything from small consumer models to industrial-grade components. The idea is simple but bold make manufacturing as agile as digital creation.
What sets BRAHMA apart is its integration. Alongside the printing farm, there’s a design studio, a rapid prototyping lab, and a customer experience zone. It’s an end-to-end ecosystem for anyone from startups building their first prototype to large enterprises testing industrial parts.
Right now, BRAHMA churns out around 10,000 parts every week, with plans to scale up to 50,000 units in the coming months. The setup uses a combination of FDM (Fused Deposition Modelling) and SLA (Stereolithography) printers, offering the flexibility to balance speed, precision, and material diversity.
But more than just numbers, BRAHMA signals a shift in how WOL3D and potentially India’s manufacturing ecosystem looks at production. The idea is to move away from traditional, resource-heavy factories toward smart, scalable, on-demand fabrication.
Rahul Chandalia, Co-founder and CEO of WOL3D, calls it “a new kind of energy for manufacturing in India.” For him, BRAHMA isn’t just a facility it’s a mindset shift where anyone with an idea can move from design to execution without massive infrastructure or long timelines.
The timing couldn’t be better. As India’s startup scene matures, more creators are experimenting with hardware, robotics, wearables, and product design. Facilities like BRAHMA could fill a crucial gap turning concepts into physical products locally, without relying on overseas prototyping or production.
At the launch, WOL3D also showcased its in-house creations like Vinglits, a 3D-printed toy brand, and The Divine Collection, a premium line of printed idols and décor. Both are proof that 3D printing isn’t limited to engineering it’s also a tool for creativity and storytelling.
For now, BRAHMA is based in Mumbai, but WOL3D plans to replicate the model in other Indian cities and eventually scale it for global partnerships. With more than ten experience centers already operational across the country, the company seems ready to push 3D printing into the mainstream.
If BRAHMA lives up to its promise, it could redefine how products are made in India faster, cleaner, and entirely on-demand. Not just a printing farm, but a glimpse into what the next decade of Indian manufacturing might look like.
Spread across a sprawling facility, BRAHMA houses over 200 3D printers that operate 24×7, producing everything from small consumer models to industrial-grade components. The idea is simple but bold make manufacturing as agile as digital creation.
What sets BRAHMA apart is its integration. Alongside the printing farm, there’s a design studio, a rapid prototyping lab, and a customer experience zone. It’s an end-to-end ecosystem for anyone from startups building their first prototype to large enterprises testing industrial parts.
Right now, BRAHMA churns out around 10,000 parts every week, with plans to scale up to 50,000 units in the coming months. The setup uses a combination of FDM (Fused Deposition Modelling) and SLA (Stereolithography) printers, offering the flexibility to balance speed, precision, and material diversity.
But more than just numbers, BRAHMA signals a shift in how WOL3D and potentially India’s manufacturing ecosystem looks at production. The idea is to move away from traditional, resource-heavy factories toward smart, scalable, on-demand fabrication.
Rahul Chandalia, Co-founder and CEO of WOL3D, calls it “a new kind of energy for manufacturing in India.” For him, BRAHMA isn’t just a facility it’s a mindset shift where anyone with an idea can move from design to execution without massive infrastructure or long timelines.
The timing couldn’t be better. As India’s startup scene matures, more creators are experimenting with hardware, robotics, wearables, and product design. Facilities like BRAHMA could fill a crucial gap turning concepts into physical products locally, without relying on overseas prototyping or production.
At the launch, WOL3D also showcased its in-house creations like Vinglits, a 3D-printed toy brand, and The Divine Collection, a premium line of printed idols and décor. Both are proof that 3D printing isn’t limited to engineering it’s also a tool for creativity and storytelling.
For now, BRAHMA is based in Mumbai, but WOL3D plans to replicate the model in other Indian cities and eventually scale it for global partnerships. With more than ten experience centers already operational across the country, the company seems ready to push 3D printing into the mainstream.
If BRAHMA lives up to its promise, it could redefine how products are made in India faster, cleaner, and entirely on-demand. Not just a printing farm, but a glimpse into what the next decade of Indian manufacturing might look like.
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